Erasure Breaks It All Down
Sufjan in Brooklyn – DayGlo Icarus
Sufjan Stevens Lands at NYC’s Beacon Theater
Wow. What to even say about Sufjan Stevens’ recent NYC show.
The pitchfork intelligencia has been gaga over him ever since 2005’s Illinoise. I saw him in concert once before when his BQE piece, commissioned by the Brooklyn Academy of Music, was performed here a few years ago. The BQE portion was a little frustrating (with its accompanying film project and hula-hooping extras) but he performed a more conventional concert afterwards and I was completely knocked out. Accompanied by a full orchestra, his performance of “Majesty, Snowbird” is perhaps one of the most beautiful things I’ve ever seen.
Other than BQE, he hasn’t really released any ‘new’ work and the blogs were growing restless. And then he suddenly spat out an EP and full-length album in short succession.
I had heard the album, The Age of Adz, was ‘challenging’ and I admit that I still hadn’t delved into it before going to see the concert. Sufjan’s music is known for being twangy and intellectual and uber earneast and wildly over-arranged. He’s like Rufus Wainwright if he were a straight, crunchy, Christian hipster. Adz is a marked departure from his past successes and a total stylistic shift. The music is buried in a nutso bed of blips and bleeps and defiantly rejects the normal verse/chorus/verse structure for something much more obtuse. In an interview he said that working on the orchestral pieces for BQE blew open his idea of what a song should be. And in a digital age where music is no longer confined to the 40 minutes of an LP or the 80 minutes of a CD, what is the album anymore and what is a song? Should songs be 30 seconds or 25 minutes? Does it matter?
The show itself was like watching a P-Funk concert of white, straight-edge Brooklynites. Sufjan was adorned in neon tribal paint (tape?) that made him look like Ke$ha’s goofy older brother. During the course of the evening, he danced amidst “Ray of Light” projections, and a spaceship literally landed onstage. It was nothing short of bonkers. And I was endlessly fascinated.
He spoke at length about his inspiration for the album: a crazy New Orleans preacher who shunned his family and posted all sorts of nutty billboards on his house before degenerating into schizophrenia and a world of religiously freaky comic book drawings.
The concert drew mainly from the new album. The lyrics are grandiose and inscrutable, but his trademark vulnerability still pops through in passages that pierce through the clutter of all the dense instrumentation with absolute clarity. The band was AMAZING: multiple drummers, backing vocalists, vocoders (*gasp*), horns, drum machines, ribbon-twirlers. This guy had everything.
Listening to the new music was like falling down a rabbit hole. The beats, at times, purposely fighting the songs as if to represent a tumultuous mind. Is this a breakup album? An ode to psychosis? Is he struggling with his sanity? Or just referencing the New Orleans dude (Royal Robertson)? Is this representative of some sort of religious meltdown? And where’s all his twee acoustic guitar?…..What interplanetary FREAKSHOW descended into the Beacon theater and why am I so GOSH DARN into it?
The title song, “The Age of Adz”, crashed through the theater like some insane apocalyptic reckoning. It’s very difficult to ascertain the ‘point of view’. Is it being sung from this crazy preacher’s perspective? Or is it about the end of a love affair? This is going to sound strange but the closest artistic correlation for this concert to me was Prince. Prince always mixes the sacred with the profane and there’s a definite tension and anger in Sufjan’s new work that causes lots of the same kind of friction. Grim euphoria.
“When I die, I’ll rot.
But when I live, I’ll give it all I’ve got.”
There are other videos on Youtube that give you a better sense of the visuals. But this one sounds the best:
“Age of Adz” –
“Impossible Soul”, another track from AoA, was perfromed towards the end of the night. A 25 minute suite, enough to test the patience of any audience, but at about the 15 minute mark the song turns surprisingly perky – “it’s a long life. could it get much better? do you want to dance?” and before you know it the contemplative audience is on their feet as a sea of balloons drifts from the rafters. “Boy, we can do much more together.” Positively surreal.
Here’s the happy portion:
balloon drop: http://www.youtube.com/watch?v=UByH8RZE8Qg&feature=related
refrain : http://www.youtube.com/watch?v=b-lJ3qA-zBE&NR=1
The encores, fittingly, were from Illinoise and everyone sung along gleefully to “Chicago” and watched rapt as he performed “John Wayne Gacy, Jr.” I left the theater utterly impressed. Since the concert….I can’t stop listening to the record. It feels personal and global and vulnerable and angry and completely surprising and I’m totally in love with it.
Check it out. If the whole album is too intimidating, try “Age of Adz” and the two more commercial songs, “Too Much” and “I Walked.”
Robyn at Terminal 5
So I can’t believe I still haven’t written anything about Robyn’s Terminal 5 show last week. Bad Grant.
It wasn’t quite the knockout that the Webster Hall show was and some of that undoubtedly has to do with the venue. I see more shows at Terminal 5 than anywhere else. It’s great that it’s only a few blocks from my house but the sound and acoustics of the venue are just terrible and the sight lines are weird.
Robyn seemed a bit distracted at the top of the show: changing shoes between songs and futzing with her mic pack. She cancelled a few dates due to illness shortly after the concert so I wonder if she was already coming down with something.
Vocals were customarily strong and the crowd was absolutely in love. I was thrilled to hear “Dream On” and “Konichiwa Bitches.” The finale, a tender coupling of “Dancing Queen” with her old chestnut, “Show Me Love” was dynamite.
You’ll have to forgive this stranger’s singalong….but who can blame him?
Liza at Rosebar
Had Mom in town recently which meant we were running around the city like fools and there was no time for posting. But I’m back now and wanted to share this nifty little experience from Monday night. I was lucky enough to catch Liza Minnelli at the Gramercy Park Hotel’s Rosebar. It was a very small room and we were perched dead center to see the legend at work. What a trip.She has a new album, Confessions, that’s out now on Decca and this was the intimate NYC launch event. (Oprah was the significantly less intimate launch event last week).
Her voice may be a bit raggedy and syntax a bit strange but she’s a gifted storyteller, heavy on the eye contact and acted things perfectly, even if the notes aren’t quite there. She has that uncanny ability to make you feel like you’re the only person in the room.
ahhhh, Seattle
i toured a lot of old haunts, tons of places i lived, as well as some favorite haunts such as….
![IMG00164-20100826-1756.jpg](https://i0.wp.com/i966.photobucket.com/albums/ae145/swizzl/IMG00164-20100826-1756.jpg)
![IMG00185-20100827-1723.jpg IMG00185-20100827-1723.jpg](https://i0.wp.com/i966.photobucket.com/albums/ae145/swizzl/IMG00185-20100827-1723.jpg)
![IMG00189-20100828-0022.jpg IMG00189-20100828-0022.jpg](https://i0.wp.com/i966.photobucket.com/albums/ae145/swizzl/IMG00189-20100828-0022.jpg)
Seattle also looked typically beautiful. The Experience Music Project, a bit of a monster far away, is a glimmering beauty up close….
![IMG00197-20100828-1300.jpg IMG00197-20100828-1300.jpg](https://i0.wp.com/i966.photobucket.com/albums/ae145/swizzl/IMG00197-20100828-1300.jpg)
I Heart Robyn+Kelis
GaGaMSG
The crowd was ecstatic. And she loudly articulated her ‘be who you wanna be’ ethos. This being her first performance at Madison Square Garden, she took the time to absorb the crowd (and her success) that felt inclusive and quite moving, and only a bit indulgent.
As my friend Jenn said, Madonna gave birth to this girl. It was especially clear during “Alejandro” when a large statue of Mary (which had been dripping water) suddenly began shooting off sparks 4th of July-style. What does all this religious imagery have to do with the song? I still have no clue.
Look out behind you, Gaga!
Only to have her emerge a few minutes later in a metallic bar that spat at flames from the nipples.
[Those curious about her new record were given a treat earlier in the night when she
previewed a song – “You and I” during the slowed down “Speechless” set (playing the piano with her right heel on top of the keys, natch). I LOVED it: Very 70s-inspired, an Elton John melody with Janis Joplin vocals. Even ended with some “Hey Jude” style vamping.]Grand Canyon
The Grand Canyon was a truly breathtaking experience and probably the most beautiful thing I’ve ever seen.
The hike down was almost 8 miles and the hike up was about 13 but it was gorgeous and satisfying. We stayed at Phantom Ranch at the bottom, your only option for accomodations. Sleeping arrangements were dorms/bunk beds, equipeed with snoring roommates and a 5AM wakeup — but still incredibly worth it. A mental control-alt-delete. Much needed and very beautiful.NYC Haunted House
I don’t know what it is about a haunted house that just gets me grinning. I’ve been to “Nightmares” downtown (theatrical, vignette-driven), “Blood Manor” in Chelsea (more traditional/clowns jumping out and scaring you) but this year there’s a new kid on the block; and I, along with friends Tyler, Tracy and Sage, checked it out last night.
I can truly say I wasn’t prepared for this little mindfu*k. And although it was over quickly – I probably came the closest to genuine fright that i’ve ever experienced in a haunted house. Also, they insist that you go through the house ALONE. Which completely empties out all the giggly fun parts. And there are some intense rules 1) you must follow the path 2) you will be touched 3) you have to wear weird stuff 4) the safety word is “safety”.
So here’s what happens: You walk in, They give you a shot of whiskey (good so far), then they put a surgical mask over your face (uncomfortable). When I pulled it down off my nose so I could breathe a little better I was chastised. Then they put those plastic individual cuffs (that police use) on each one of your wrists. After an intimidating preamble, the guy gives you a flashlight (about 2 inches in size) that completely doesn’t work and you’re told to follow the path (basically white glow tape that’s impossible to see). Since you can’t see anything you are practically crawling on the ground to find your way. After many twists and turns, people seem to jump out of nowhere. You’re grabbed, told to walk up and down stairs, THEN they bind your hands together (hence the plastic cuffs), put a burlap sack over your head (!) while grabbing at you some more (going up and down stairs), and generally freaking you out. I had to kneel. Apparently my friend Tyler had to bark. And then you just wait for what happens next. Crazy.
I was NOT prepared to have a burlap sack over my head and admit I had to “talk myself down” a bit as you were stuck waiting for a few minutes to be told what to do next — which felt like an eternity. [too hot! can’t breathe!] After pulling the bag and bindings off (GASP* thank God), you’re roughed up a bit more, then walk through some weird maze stuff, until you find yourself in an enclosed Buffalo Bill themed room with a big “EXIT” sign over the opposing door. Of course when you go to open the door –it won’t. And then you see that there’s some crazy man/woman creature emerging from a rocking chair that you basically have to fight in order to escape.
There is in fact a smaller door, with a padlock. He has the key to the lock. and you have to get it from him. Oh, and he’s naked from the waist done (–this is likely fake, though I admit i couldn’t quite tell in the moment). Then once you are able to get the key and let yourself out (which is sort of a physical battle), you crawl down this claustrophobia inducing weird tunnel type thing. Then it was over.
Very experiential. All psychological. And all-in-all a trippy experience. Tho I think it would have been better if they continued with that scary torture intimidation theme that was so unsettling at the top. As I was contemplating my own suffocation (Get me out of here) with the bag over my head, I thought for sure they were going to ‘walk me to the gallows’ or put me in some sort of guillotine contraption. Or why not put you in a room in the dark. They could put you in a chair and bind your arms to it, then throw on the lights and you could be staring at yourself in the mirror, realizing that your stapped into an electric chair. Queue mad scientist throwing switch, houselights way up, then blackout. Etc. I’m just sayin’!
Here’s the link to the Vortex haunted house http://www.nychalloweenhauntedhouse.com/
Attached pic shows me wearing the surgical mask after we got back to my house. The crew and I had pizza and watched The Texas Chainsaw Massacre (brilliant/disturbing/why did I watch it again). A nice preable to the main event.
Happy Halloween, everyone.